Resources
This section contains useful resources for learning jukendo and tankendo!
Glossary
General
Term | Translation |
---|---|
Practice partners | |
sensei | Teacher |
sempai | Senior |
kohai | Junior |
motodachi | Person who acts as the training partner or opponent during practice, often helping others improve their techniques |
shugisha | The one performing the technique in a structured practice setting |
uchikata | Often referred to as "striking/attacking sword", this role is typically taken by the senior practitioner or instructor. The uchikata initiates the action, governs the tempo, and provides a true attack, allowing the shikata to learn proper technique, distancing, and spirit |
shikata | Known as "doing/receiving sword", this role is performed by the junior practitioner or student. The shikata responds to the uchikata's actions, executing the techniques and learning from the guidance provided |
Equipment | |
gi | Jacket of the practice uniform |
hakama | Pants of the practice uniform |
mokuju | Wooden replica of a rifle used in jukendo |
tanshinai | Bamboo replica of a bayonet used in tankendo |
bogu | The whole armor |
men | Helmet that protects the head and throat |
do | Armor that protects the torso |
futon | Protection placed under the do to cushion thrusts |
kote | Gloves that protect the wrists and thumb |
tare | Apron that protects the lower body |
kata | Shoulder protector worn in jukendo that protects the heart and shoulder |
shino | Glove worn in jukendo on the right hand |
Course opening and closing | |
At the beginning of the course | |
« taiso » | Warm-up |
« seiretsu » | Form a line |
« chakuza »/« seiza » | Sit |
« mokuso » | Silent Meditation |
« mokuso yame » | Stop silent meditation |
« shomen ni rei » | Bow to the shomen (dojo's wall of honour) |
« sensei (gata) ni rei » | Bow to the sensei (gata if several senseis) |
« otagai ni rei » | Bow to your fellow practitioners |
« kata/men wo tsuke » | Put your kata/men on |
At the end of the course | |
« seiretsu » | Form a line |
« chakuza »/« seiza » | Sit |
« kata/men wo tore » | Take off your kata/men |
« mokuso » | Silent Meditation |
« mokuso yame » | Stop silent meditation |
« sensei (gata) ni rei » | Bow to the sensei (gata if several senseis) |
« otagai ni rei » | Bow to your fellow practitioners |
« shomen ni rei » | Bow to the shomen (dojo's wall of honour) |
Postures
Term | Translation |
---|---|
« kamae » | Stance or posture. It refers to both the physical positioning of the body and the mental readiness of a practitioner |
Jukendo | |
« chudan-no-kamae » | The most fundamental kamae, it is the middle guard position: left foot forward, tip of the mokuju positioned at the level of the opponent's chest, angled to point at their right eye |
« gedan-no-kamae » | A low guard position where the tip of the weapon is pointed toward the opponent's knee |
Tankendo | |
« chudan-no-kamae » | The most fundamental kamae, it is the middle guard position: right arm extended forward, with the kensen at its own heart height but angled upward toward the opponent's eye-line |
« irimi-no-kamae » | A modified middle guard position where the body angles slightly as if preparing to attack. The arm extends further, angling the weapon so that the kensen tips to the opponent's wrist |
« gedan-no-kamae » | A low guard position where the tip of the weapon is pointed toward the opponent's knee |
« jodan-no-kamae » | A high guard position where the tanshinai is raised above the center of the head, approximately a fist-width away |
Techniques
Commands (gorei) are given by the motodachi.
Technique | Command | Description |
---|---|---|
Orders | ||
kamae | « kamae » | Take guard |
naore | « naore » | Return from guard position |
hajime | « hajime » | Start |
yame | « yame » | Stop |
onaji | « onaji » | Repeat the same technique |
Moving | ||
mae | « mae » | Step forward |
ato | « ato » | Step backward |
migi | « migi » | Step to the right |
hidari | « hidari » | Step to the left |
maware migi | « maware migi » | U-turn to the right |
Jukendo | ||
Kihon waza | ||
chokutotsu | « tsuke » | Direct thrust (left side) |
dattotsu | « hazuse tsuke » | Direct thrust (right side) |
katotsu | « shita wo tsuke » | Direct thrust (strike below) |
nodo | « nodo wo tsuke » | Attack to the throat |
kote | « kote wo tsuke » | Attack to the wrist |
renzoku waza | « tsudzuite tsuke » | Continuous attacks |
Shikake/ouji waza | ||
migi harai tsuki | « migi wo harae tsuke » | Move the opponent's mokuju to the right and then thrust |
hidari harai tsuki | « hidari wo harae tsuke » | Move the opponent's mokuju towards the left and then thrust |
shita harai tsuki | « shita wo harae tsuke » | Move the opponent's mokuju when he is in gedan no kamae and then thrust |
ouji-waza | « migi wo harae tsuke » | motodachi attacks to the torso (do) and the opponent parries and counterattacks by performing a sweeping motion followed by an attack to the throat/torso (nodo/do) |
Oyo waza | ||
tsuki nagashi | « tsuke mae » | Thrust and then step forward |
mae tsuki | « mae tsuke » | Step forward and then thrust |
dai-ichi keiko | « dai-ichi keiko hajime » | Determined sequence |
Tankendo | ||
Kihon waza | ||
do tsuki | « do wo tsuke » | Attack to the torso |
nodo tsuki | « nodo wo tsuke » | Attack to the throat |
men uchi | « men wo ute » | Attack to the head |
kote uchi | « kote wo ute » | Attack to the wrist |
renzoku waza | « tsudzuite (nodo/dō/men/kote) wo tsuke/ute » | Continuous attacks |
Shikake/ouji waza | ||
migi harai tsuki | « migi ni harae tsuke » | Move the opponent's tanshinai to the right and then thrust |
hidari harai tsuki | « hidari ni harae tsuke » | Move the opponent's tanshinai towards the left and then thrust |
tsuki harai-zuki | « tsuki ni harae nodo/do wo tsuke » | motodachi attacks to the torso (do) and the opponent parries and counterattacks by performing a sweeping motion followed by an attack to the throat/torso (nodo/do) |
uchi harai uchi | « men ni harae men/kote wo ute » | Attack to the head/wrist (men/kote) and the opponent parries and counterattacks by performing a sweeping motion followed by an attack to the head/wrist (*men/kote) |
Oyo waza | ||
tsuki nagashi | « tsuke mae » | Thrust and then step forward |
mae tsuki | « mae tsuke » | Step forward and then thrust |
irimi seitai zuki | « irimi seitai zuki hajime » | Enter deeply (irimi) into the opponent's space while unbalancing them (seitai) and delivering a thrust (zuki) |
dai-ichi keiko | « dai-ichi keiko hajime » | Determined sequence |
Kata
Below you'll find videos demonstrating jukendo and tankendo katas.